A man signs up for a self-help program based on one simple principle: say yes to everything... and anything. At first, unleashing the power of "yes" transforms his life in amazing and unexpected ways, but he soon discovers that opening up his life to endless possibilities can have its drawbacks.
At the beginning of “Yes Man,” Carl Allen is a grouch, a curmudgeon, a wet blanket. His relentless negativity — his job as a loan officer provides him with plenty of opportunities to say no — is less a matter of temperament than of circumstance: apparently Carl never recovered from the breakup of his marriage.
But then a visit to a self-help seminar led by a guru (Terence Stamp) who preaches the power of yes transforms Carl into a wild, unpredictable fellow, a giddy, spontaneous goofball, a gangling, motormouthed, rubber-faced id. In short, Carl turns into Jim Carrey.
But “Yes Man,” dutifully directed by Peyton Reed (“Bring It On,” “Down With Love”) is too sluggish and slapdash a vehicle for its star’s prodigious wackiness. “Yes Man” rarely rises to genuine hilarity. It takes no risks, finds no inspiration and settles, like its hero, into a dull, noncommittal middle ground. Should you see this movie? Maybe. Whatever. I don’t care.
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